Spine 1

 Just finishing a large sculpture inspired by the human spine, made from surplus 4x4 truck parts.  I got to thinking about bones and their shapes and the relation to the desert during my time in the Great Basin and have done several reclaimed wood pieces in the same series, Bone II & III.

Wandering Fence

Just finished this fence for a walkway that winds through a forested path.  It needed to be minimal and mirror the curves of the pathway while avoiding the trees and their future growth patterns.

Crossroads

I just completed a study of Robert Johnson for an Equality Utah fundraiser.  I call it a study because I used it to experiment with both the subject and the medium.  I adapted part of a painting done by Nicola Verlato that really struck me, and made the image by selectively rusting a sheet of steel with various oxidizers and patinas.  In other words, there's no paint used -- the gradations in color are due to chemically changing the steel.  I've played around with this technique before on the 'Others':

http://blueboathome.blogspot.com/2012/10/the-other.html

Contra Code Installation

Chad Crane and I recently collaborated on an installation for the 'E Pluribus Unum' show.  Chad (a proud geek) re-introduced me to the 'Contra Code', a series of actions in various old-school video games that allows the player to re-animate their character and essentially become digitally immortal.

The theme of the show was about what unites us as a country, especially during a divisive and often counterproductive political election cycle.  What better way to show our common experience of death than to demonstrate the possibility of endless life, even if it is just in a video game?

Each of the commands for the Contra Code was etched onto welded steel planters arranged in a circle.  Each planter contains a single plant that slowly deteriorates for the duration of the show.

Pedestals in progress

Planters in progress before etching

Planter stands in progress

Planters in progress

The Other

As part of the E Pluribus Unum show I'll be doing two works, one on my own and one as a collaboration with Chad Crane.  My solo work is titled 'Others: Thoreau, Weiwei, DeChristopher, Solzhenitsyn'.  It is made of a sheet of steel with a welded frame; the images are made by oxidizing the metal at different rates with different chemicals.

The basic idea of the show was to investigate what unites us as a country.  I think part of the answer lies in having an 'other' to unite against.  The catch is that we have a history of demonizing people and movements that hold up a mirror which would have inspired us to our better selves, if we didn't throw these folks in jail.

Specifically, the four individuals in my work were all put in prison for their efforts: Thoreau refused to pay taxes that funded slavery and Solzhenitsyn criticized Stalin.  The last two are our contemporaries; Ai Weiwei is critical of the human rights abuses of the Chinese government and DeChristopher disrupted illegal land auctions to oil and gas companies.  The thought process I've described here, along with the theme of the show.


https://www.facebook.com/epuartshow

http://chadcrane.blogspot.com/2011/01/familiar-territory-art-access-september.html

http://blueboathome.blogspot.com/2012/08/what-unites-us.html

http://en.wikipedia.org/wiki/Civil_Disobedience_(Thoreau)

http://en.wikipedia.org/wiki/Aleksandr_Solzhenitsyn

http://aiweiweineversorry.com/

http://www.bidder70.org/

Pause Play Planters

I just finished a set of planters, now the search begins for the right plants to put in them.  I liked the idea of using the ubiquitous Play/FFW/RW symbols to fit with the overall shape of the curving metal.

Carbondale's Art aRound Town

Just got back from Carbondale, CO to install the Ambiguous Family in Carbondale's Art aRound Town exhibit.  It'll be there for a year at 3rd & Main, so swing by and check it out.

I also had the opportunity to meet and trade secrets with some very talented sculptors who were also in the exhibit:

Casey Cooper
(article)

Casey and a few buddies from Texas drove this thing up and over Colorado mountain passes in a marathon trip to get it out to the show, and it was one of my favorite pieces.  He welds sheet metal together and then inflates it using compressed air to give his sculptures a very interesting industrial/organic feel.  The scale of this particular one was especially impressive as was the light and shadows that play across the surface depending on the time of day.

Michael Dunton
(website)

Michael is out of Castle Valley and does some very painstaking and beautiful work with illuminated stone and steel.

Shohini Ghosh
(website)





Suzanne Kane
(website)






Michael Lindsey
(fb) (website)

Gary Mitchell
(article)

Kevin Schaffer (detail)

Great Basin Table installed

Great Basin Table, 17" x 41" x 21", 2012.  Steel and plywood.

I had a great trip out the Great Basin National Park to install a piece, give a couple presentations on my work, and help out with the filming of a new documentary on the Park being done by North Shore Productions.

The table was inspired by several of my experiences during my residency there; most notably the idea that there are several visual geometries acting in the Park, sometimes in cohesion and sometimes conflicting with one another.  There are human-made as well as natural and organic shapes and the interplay between them is fascinating.  This of course, is no new revelation (William Fox describes it as 'one of the oldest dichotomies in history, the tension between the organic shape of the natural world and the mathematical grid').

Great Basin Table  at the lower Park visitor center in Baker, NV

I was specifically interested in the shapes we make on the land that are unintended yet beautiful anyway, and the relationship between mathematical forms that at first glance appear as human constructs but show up outside of our influence.

The base of the table is inspired by a specific Bristlecone Pine found high on a ridge of Mt. Washington in the southern end of the Park, and the right-angled forms are placed using the Golden Ratio, a mathematical relationship that describes natural geometries ranging from the curve of the human ear to the spiral of galaxies.  The top is a rough map of Baker, NV, showing dirt roads and the irrigation pivots as seen from satellite imagery.  Baker is the closest town to Great Basin National Park and home to many of the Park employees and caretakers of the Great Basin and its travelers.

table top detail showing satellite imagery-inspired carving

Satellite image of Baker, NV

Golden Ratio

Bristlecone Pine that inspired the table base

Film crew in the sculpture studio

Filming in the Park

Hiking camera equipment up to the Bristlecone grove

Table prepped for filming

Bones

Bone II, 10" x 7" x 35"

I just completed two pieces that had been germinating since my time in the Great Basin and delivered to the 3rd Street Art Center's "Feel Free to Touch 2" exhibit in Carbondale.  They'll be on display throughout the month of June.

Bone III, 5" x 17" x 20"

Each of these was inspired by bone fragments I found while traveling the basin and range of Utah/Nevada.  To make them I used wood scraps that I also found in the area; I thought it was an important symmetry to depict the forms with materials that were also cast aside and weathering in the same context.

Model/prototype in progress with original bone inspiration

Detail of  Bone II,  with bondo-colored epoxy accents

As a side note, there are many other fantastic sculptures in the exhibit, including those of James Surls and John Doyle.

John Doyle's  Walnut Hand