Crossroads

I just completed a study of Robert Johnson for an Equality Utah fundraiser.  I call it a study because I used it to experiment with both the subject and the medium.  I adapted part of a painting done by Nicola Verlato that really struck me, and made the image by selectively rusting a sheet of steel with various oxidizers and patinas.  In other words, there's no paint used -- the gradations in color are due to chemically changing the steel.  I've played around with this technique before on the 'Others':

http://blueboathome.blogspot.com/2012/10/the-other.html

Ai Weiwei: Never Sorry

The dreary weather gave me a chance to see a film I've wanted to catch for a long time: Ai Weiwei: Never Sorry.

Ai Weiwei is a Chinese artist who has been pretty outspoken about the human rights abuses in China, one notable example being his work to uncover the shoddy school construction that led to many deaths from the 2008 Sichuan earthquake.  He also worked on the famous Bird's Nest stadium for the Olympics (which he later boycotted) and installed an exhibit at the Tate using one hundred million hand-painted sunflower seeds (yes, thats One Hundred.  Million.)

Not surprisingly, he was detained by the Chinese government for three months on charges of 'tax evasion'.  I've depicted him in a couple of my works: both 'The Others' in the E Pluibus Unum show and as part of an installation highlighting imprisoned artists.

The trailer from YouTube:

It you're on the east coast, you can see his work in person at the Hirshorn.

Radio West recently interviewed the filmmmaker as well.

http://www.hirshhorn.si.edu/collection/home/#collection=ai-weiwei-according-to-what

http://radiowest.kuer.org/post/ai-weiweis-art-dissent

http://www.guardian.co.uk/artanddesign/2010/oct/11/tate-modern-sunflower-seeds-review
http://en.wikipedia.org/wiki/Sichuan_schools_corruption_scandal
http://www.youtube.com/watch?v=2dtfeh6a01c
http://www.imdb.com/title/tt1845773/

How to Steal Ideas and be OK With It: Art Magazines

One of the aspects I enjoy most about being an artist is trying to steal ideas from others.  To quote T.S. Eliot:

"Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different."

Here are some of the places, specifically periodicals, I've found really fruitful for ideas:

Juxtapoz
Available in both digital and meatspace forms, Juxtapoz presents a snapshot of contemporary (urban?) culture through art, most of it unsettlingly awesome.  The Nov '12 issue was dedicated to politics and included interviews with Shepard Fairey ('Obey' and 'Hope' motifs), an ad for "Bad Dads: an art show tribute to the films of Wes Anderson', and a Barbie doll in a blender.
http://www.juxtapoz.com/

High Fructose
HF is a quarterly mag that doesn't yet have a digital version, although many of the articles can be found on their website.  It is the slightly more cerebral but still edgy-contemporary big brother of Juxtapoz.  Looks sweet casually thrown on your stainless steel ottoman before that hipster wine and cheese party.
http://hifructose.com/

Sculpture
If you really want to buckle down and get your head into some art, Sculpture provides great interviews with mostly established (read: famous) artists.  I don't find the visuals as stunning as the two above but it makes up for it with a simple clean layout and world-wide coverage.
http://www.sculpture.org/documents/sm-arch.shtml

Iron & Air
This isn't an Art magazine but a publication with art: specifically, custom, garage-built motorcycles.  It's about dudes (and dudettes) who find a 1972 something-or-other behind grandpa's hay barn and turn it into a fire-breathing 140mph+ bit of steel and spinning rubber.  This is about craft, not plunking down a credit card at the Harley dealership.  If you don't have (or even like) motorcycles the photography is fantastic anyway.
http://ironandair.com/magazine/

MAKE
MAKE is what happens when all those kids who got beat up for winning the science fair in 5th grade get to publish their own magazine.  If you like Mythbusters, MacGyver, or have a holster on your belt for your multi-tool, MAKE is for you.  There's a lot of cross-pollination with Instructables as well.
http://makezine.com/
http://www.instructables.com/

EAMES: The Architect and The Painter

Just saw EAMES: The Architect and Painter as part of this year's SLC Design Week.  It was a fantastic overview of the careers of the husband/wife design team Charles and Ray Eames.  (not familiar with them?  Pronounce it like 'Teams' and think bent plywood mid-century modern chairs).

They were incredibly prolific, not only with furniture design but architecture, medical splints, movies, photography, and exhibits on topics ranging from Thomas Jefferson to mathematics.

One of my favorite quotes:

“I’m a little taken aback by anyone calling himself an artist because of my feeling that that’s the kind of designation that other people should give. You can be an artist in any field, but getting a degree to call yourself an artist would be like getting a diploma to call yourself a genius."  -- Charles Eames

The Other

As part of the E Pluribus Unum show I'll be doing two works, one on my own and one as a collaboration with Chad Crane.  My solo work is titled 'Others: Thoreau, Weiwei, DeChristopher, Solzhenitsyn'.  It is made of a sheet of steel with a welded frame; the images are made by oxidizing the metal at different rates with different chemicals.

The basic idea of the show was to investigate what unites us as a country.  I think part of the answer lies in having an 'other' to unite against.  The catch is that we have a history of demonizing people and movements that hold up a mirror which would have inspired us to our better selves, if we didn't throw these folks in jail.

Specifically, the four individuals in my work were all put in prison for their efforts: Thoreau refused to pay taxes that funded slavery and Solzhenitsyn criticized Stalin.  The last two are our contemporaries; Ai Weiwei is critical of the human rights abuses of the Chinese government and DeChristopher disrupted illegal land auctions to oil and gas companies.  The thought process I've described here, along with the theme of the show.


https://www.facebook.com/epuartshow

http://chadcrane.blogspot.com/2011/01/familiar-territory-art-access-september.html

http://blueboathome.blogspot.com/2012/08/what-unites-us.html

http://en.wikipedia.org/wiki/Civil_Disobedience_(Thoreau)

http://en.wikipedia.org/wiki/Aleksandr_Solzhenitsyn

http://aiweiweineversorry.com/

http://www.bidder70.org/

E Pluribus Unum

Myself and a bunch of other artist are collaborating on a show about collaboration (or lack thereof) in the American political system.  Come on out, and take a look at the details here:

https://www.facebook.com/epuartshow?fref=ts

What unites us?

 . . . This is a question that has been on my mind over the last few months.  I'm part of a show going up this October with the theme 'E Pluribus Unum' (literally, 'Out of Many, One').  The exhibit is designed, in the words of curator Namon Bills:

"[The show] will be a response to the ultra-partisan nature of our country's current political climate. The concept is based on the United States' paradoxic situation as a unified whole composed of varying voices — the very embodiment of e pluribus unum: from many, one. America has always been an amalgamation of divided visions, dreams and opinions — even going back to the earliest days of our country's founding. America's success comes not from all of our citizens looking and thinking alike, but from our rich diversity of experience, background and opinion, combined with a willingness to talk to, listen to, and work with those that we disagree with. This country was founded on a willingness to set aside individual differences and compromise for the good of the whole."

It is not-so-coincedentally timed right at the elections.

In preparation I read and watched the John Adams book and miniseries as well as Naomi Wolf's 'The End of America: Letters of Warning to a Young Patriot".  Nice bookends on the American experience.

One of the things that struck me about the history of our country is the repeated emergence of 'The Other'; a common foe or challenge that unites us (the British, the French, the Loyalists, terrorism, etc).  Although I'm no historian, it seems as though when we don't have an external foe we turn on a facet of our selves (Republicans, Democrats, the Tea Party, snowboarders . . .).

I'm all for keeping each other accountable, but what happened to recognizing The Other as a concept that pushes us to our better selves, rather than an enemy to be defeated?  I think tennis is a good metaphor: neither opponent can play by themselves, and the best athletes recognize that their success depends on their competitors.  Although I'm no fan of Lance Armstrong, his battles with Jan Ullrich during the Tours of the early 2000's exemplified this spirit.  Of course politics and armed conflicts have much higher consequences than Wimbledon and the Tour de France, and sometimes the Enemy/Other must be dealt with accordingly.

I think it is the compressing of the spectrum of The Other to a single concept that is particularly dangerous.  It is becoming harder and harder to distinguish who is our metaphorical tennis opponents and who should be under surveilance or on the Predator drone short list.  

Specifically I wanted to depict artists who questioned their context and were imprisoned for it.  I also wanted to try my hand at stencils by using them to create layers of patina on metal plates (rather than the 'traditional' spray paint masking a la Banksy):

The following images are spray paint and rust tests that will inform the final plates:

Aleksander Solzhenitsyn was a Russian writer born around WWI who was sentenced to 8 years in a labor camp for his criticisms of Stalin.  

Rust patina test on mild steel sheet

spray paint test on cardboard

patina test on mild steel

Ai Weiwei is a contemporary Chinese artist who has been particularly outspoken about the human rights abuses and 'democracy' of China.  He was arrested and his studio demolished.  He is also the subject of a recent documentary Never Sorry.

spray paint test

Henry David Thoreau was an American writer in the 1800's who was arrested for refusing to pay taxes that would support slavery.

spray paint test on cardboard

Tim DeChristopher is an activist who I categorize as a 'performance artist' (although he may not) who intentionally disrupted illegal federal land lease auctions in Utah by posing as a legitimate bidder.  He is currently serving a prison sentence.

spray paint test on scrap cardboard (I like how the bar code ended up on his forehead -- unintentional Warhol-esque commentary on the commodification of protest?)

Geeking out with Arduino

Recently I've maxed out my geek-o-meter and have been trying my hand at building & coding a microprocessor to use in dynamic/interactive sculptures.  I've started with the Arduino, a pretty straightforward but powerful bit of open-source electronics that has a large support network on the interwebs.


An overview from MAKE magazine, one of the greatest publication of all time:

http://blog.makezine.com/arduino/


A hub with lots of information/tutorials for the Arduino crowd:

http://www.arduino.cc/

Here's a TED talk about the Arduinio 'open-sourcing the imagination':

http://www.ted.com/talks/massimo_banzi_how_arduino_is_open_sourcing_imagination.html

And a few projects that give an idea of what you can do with this crazy little thing:

Giant flame-throwing scorpion, with come videos:

http://mantisentertainment.com/gallery/

http://www.youtube.com/watch?v=5E8HSnIEE20&feature=autoplay&list=UUZLshGezpuu_c-_7GxlFwTA&playnext=1

Mind-controlled flame thrower (there are other things it can do besides control flame effects, these are just some of the coolest):

http://blog.makezine.com/2012/07/28/detroit-hackerspaces-1-i3-detroits-mind-flame-contest/

CSU MFA exhibit

Got the chance to see CSU's Master of Fine Arts Thesis exhibit a few days ago. If you're in the N Colorado/ Ft Collins area, I recommend checking it out.

There was one artist in particular I especially liked: Eli Marco Hall, who did a video series that depicted his use of typography on various public spaces. He use shadows on walls, rocks, even firearm pock marks in concrete to illustrate several personally relevant phrases ('you're not me', 'cancer consumed her', etc). The best part wasn't the design of the typeface or the sayings themselves, but the theater of their production and disintegration caught on time-lapse film. Seeing the film in the gallery gave me a perspective that I wouldn't have gotten if I saw the work in person, or even it's construction real-time.

Unfortunately, I couldn't take photos in the gallery so you'll have to see it in person.

Carbondale's Art aRound Town

Just got back from Carbondale, CO to install the Ambiguous Family in Carbondale's Art aRound Town exhibit.  It'll be there for a year at 3rd & Main, so swing by and check it out.

I also had the opportunity to meet and trade secrets with some very talented sculptors who were also in the exhibit:

Casey Cooper
(article)

Casey and a few buddies from Texas drove this thing up and over Colorado mountain passes in a marathon trip to get it out to the show, and it was one of my favorite pieces.  He welds sheet metal together and then inflates it using compressed air to give his sculptures a very interesting industrial/organic feel.  The scale of this particular one was especially impressive as was the light and shadows that play across the surface depending on the time of day.

Michael Dunton
(website)

Michael is out of Castle Valley and does some very painstaking and beautiful work with illuminated stone and steel.

Shohini Ghosh
(website)





Suzanne Kane
(website)






Michael Lindsey
(fb) (website)

Gary Mitchell
(article)

Kevin Schaffer (detail)

Bones

Bone II, 10" x 7" x 35"

I just completed two pieces that had been germinating since my time in the Great Basin and delivered to the 3rd Street Art Center's "Feel Free to Touch 2" exhibit in Carbondale.  They'll be on display throughout the month of June.

Bone III, 5" x 17" x 20"

Each of these was inspired by bone fragments I found while traveling the basin and range of Utah/Nevada.  To make them I used wood scraps that I also found in the area; I thought it was an important symmetry to depict the forms with materials that were also cast aside and weathering in the same context.

Model/prototype in progress with original bone inspiration

Detail of  Bone II,  with bondo-colored epoxy accents

As a side note, there are many other fantastic sculptures in the exhibit, including those of James Surls and John Doyle.

John Doyle's  Walnut Hand

Art Film

Usually when I hear someone say "Oh, you should see this, its an ART FILM" I turn and run in the other direction -- I only have so many heartbeats in this life and I really don't like spending any of them confused or frightened, which usually happens to me at things like Sundance showings.

The following are films ABOUT art that I've found really inspiring in the last year or so, and thought you might too.


Herb & Dorothy

This is a documentary about this couple who collects art in New York, and not just any art.  They've found incredibly influential artists like Sol LeWitt, Chuck Close, and Roy Lichtenstein before they were 'discovered' by the mainstream.  Since then they've donated 2,500 of their collected works to museums in all 50 states.  Oh, and they collected all of this work on a postman and librarian's salary.


Resurrect Dead: The Mystery of the Tonybee Tiles

This is another documentary about these guys who find mysterious tile-like graffiti around their city and decide to investigate its message and author, Scooby-Doo Mystery Machine style.  It's a fun look into how folks can be joyous and rewarded in the midst of their freakish obsessions.


It Might Get Loud

Ok, so this film is also a documentary, and its not exactly about visual art but music (if that concerns you, having navigated here to hear about purely visual art, then go finish re-organizing your dictionary collection and leave the rest of us be).  Jack White, Jimmy Page, and the Edge are all featured and examined in light of their different approaches to the same instrument: the guitar.  The part that sold me was the opening scene where Jack White (rapscallion that he is) makes one out of a coke bottle and nails and stuff.  Upcycling/found art at its best:

(also check out the great film on A Tribe Called Quest if you like this kind of thing)

New Balance Excellent Makers

Osian Batyka-Williams, another nutty Maker

I'm working with New Balance to design and make a sculpture incorporating remnants from the shoe manufacturing process (think swiss cheese-like pieces of cloth, leather, and the synthetics used when manufacturing shoes) as part of their Excellent Makers campaign.

New Balance is working to emphasize the craft in their products and that many of their shoes are actually made in the US, a respectable claim given that much of the competition favors sending those jobs overseas.  

Initial tack-welding of metal framework over which I'll stretch the remnants

An example of the types of remnants I'll be using from NB's manufacturing facilities in Maine and Mass.

Here are a couple of the other artists involved in the Excellent Makers project:

Osian Batyka-Williams, sculptor & designer:
http://www.osianbw.com/Product.html

Kate Gibb, printmaker
http://kategibb.blogspot.com/

Swing on by the Outdoor Retailers show in SLC this week and take a look at the sculpture-in-progress -- I'll be constructing it over the course of several days; it will be auctioned off at the end and the proceeds donated to a local non-profit.

Fatherhood Art

My best sculpture yet, although it's an on-going collaborative project:

I've been collecting some work that seems to somehow resonate with the adventure of fatherhood.  Other than that similarity between them, I'm not sure what all these pieces may say in aggregate -- perhaps it will require another few years (or decades) of collecting to find the themes they share.

A photo of my Grandfather and namesake on his ranch in Waco, TX by Michael Norman.

A print by Jonathon Baker of SLC.  jonathonbaker.blogspot.com

A block print by Kurt Gross.

Another block print I got at the SLC Gallery Roll by M. Delforto.  http://www.galleryroll.com/

Photo by Zak Elstein.

Photo by Gentry Underwood.  http://photo.gentry.io/grownups/